Tiziano Vecelli - Penitent St. Mary Magdalene 1560-1565

Tiziano Vecellio - Portrait of Lavinia, his daughter 1560-1561 Tiziano Vecellio - Man Holding a Flute 1560-1565 Titian - Nicolò Zen (1515–1565) 1560-1565 Titian - Penitent St. Mary Magdalene 1560-1565 Titian - Portrait of a Woman, possibly Lavinia Vecellio 1560-1565 Titian - The Tribute Money 1560-1568 Tiziano Vecelli - Venus Blindfolding Cupid 1560-1570
Titian, Tiziano Vecelli - Penitent St. Mary Magdalene 1560-1565

Penitent St. Mary Magdalene 1560-1565
119x97cm oil on canvas
Hermitage Museum, Saint Petersburg, Russia
The image is only being used for informational and educational purposes

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From Hermitage Museum, Saint Petersburg:
Titian turned to the subject of the repentant Mary Magdalene on several occasions, but this version he kept for himself in his studio at his home, and it was only after the artist's death that it became the property of Cristoforo Barbarigo, to whom it was sold by Titian's son amongst other paintings. It was from the Barbarigo collection that the Repentant Magdalene entered the Hermitage. According to legend, Mary Magdalene spent many years in the desert atoning for her sins. Renaissance painting has produced few works which can match the emotional force of Titian's depiction of the woman alone, her face tearstained, her gaze soaring upwards to the heavens, her hand pressed to her breast - the perfect image of a troubled soul. The amazingly rich painterly texture varies from thick, projecting brushstrokes to transparent warm tones which barely cover the priming.