Titian - Portrait of Alfonso d`Avalos, in Armor with a Page 1533

Tiziano Vecellio - Portrait of Emperor Charles V with dog 1532-1533 Titian - Portrait of Ippolito de Medici in a Hungarian Costume 1532-1533 Titian - Adoration of the Shepherds 1533 Titian - Portrait of Alfonso d`Avalos, in Armor with a Page 1533 Titian - Christ the Redeemer 1533-1534 Tiziano Vecelli - Giacomo Doria 1533-1535 Tiziano Vecelli - Portrait d`Isabella d`Este. Isabella d'Este, Duchess of Mantua 1534-1536
Titian, Tiziano Vecelli - Portrait of Alfonso d`Avalos, in Armor with a Page 1533

Portrait of Alfonso d`Avalos, in Armor with a Page 1533
110x80cm oil on canvas
J. Paul Getty Museum, Los Angeles, United States
The image is only being used for informational and educational purposes

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From J. Paul Getty Museum, Los Angeles:
Titian's Portrait of Alfonso d'Avalos, painted in Bologna in the winter of 1533, signals the inception of one of the most influential prototypes in the history of Western art--the standing state portrait. Dressed in armor with a diminutive page looking up to him, Alfonso d'Avalos exudes the tremendous power he wielded as governor of Milan and commander general of imperial forces in Italy under the Holy Roman Emperor, Charles V. As the Abbot of Brantôme--a French historian--observed, D'Avalos was a man who took great care with his appearance. He was born into an illustrious Spanish-Neapolitan family and trained for a military career under his cousin, Ferdinando Francesco, the Marchese di Pescara. After winning numerous military campaigns, D'Avalos was honored with the Order of the Golden Fleece. He is shown wearing the Order's royal collar over an elaborate and beautifully wrought suit of armor befitting an imperial leader. In the lower left, his page hands him a helmet. Titian, who may have known D'Avalos personally, endowed him with all the earnestness of a learned and contemplative man, while at the same time conveying his authority.