James McNeill Whistler - Nocturne, Blue and Silver. Chelsea 1871

The Dancing Girl 1870 Arrangement in Grey and Black No.1, Portrait of the Artist's Mother 1871 Nocturne in Blue and Green 1871 Nocturne, Blue and Silver. Chelsea 1871 Symphony in Grey: Early Morning, Thames 1871 The Blue Dress 1871 Variations in Pink and Grey. Chelsea 1871
Nocturne, Blue and Silver. Chelsea 1871

Nocturne, Blue and Silver. Chelsea 1871
50x60cm oil/wood
Tate Britain, London

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From Tate Britain, London:
Painted in August 1871, this is the first of Whistler's Nocturnes. In these works Whistler aimed to convey a sense of the beauty and tranquility of the Thames by night. It was Frederick Leyland who first used the name 'nocturne' to describe Whistler's moonlit scenes. It aptly suggests the notion of a night scene, but with musical associations. The expression was quickly adopted by Whistler, who later explained, Returning from a trip by steamer to Westminster, Whistler was inspired, one evening in August 1871, by a view of the river 'in a glow of rare transparency an hour before sunset' (Anna Whistler, the artist's mother, in a letter to Julia and Kate Palmer, 3 Nov. 1871, quoted in Dorment and MacDonald, p.122).