James McNeill Whistler - Symphony in White, No.2. The Little White Girl 1864

Wapping on Thames 1864 The Princess from the Land of Porcelain. Sketch for Rose and Silver 1864 Study of Draped Figures 1864 Symphony in White, No. 2. The Little White Girl 1864 Blue and Silver Trouville 1865 Crepuscule in Opal Trouville 1865 Harmony in Blue and Silver. Trouville 1865
Symphony in White, No.2. The Little White Girl 1864

Symphony in White, No.2. The Little White Girl 1864
51x76cm oil/canvas
Tate Britain, London

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From Tate Britain, London:
This picture was exhibited at the Royal Academy in 1865 as 'The Little White Girl'. It shows a young woman, dressed in white, leaning against a mantelpiece and gazing dreamily into a mirror. She is captured in a moment of deep contemplation. Her face is reflected in the mirror and silhouetted against a seascape, reinforcing the dream-like atmosphere. The reflected image is sad and careworn, and one is tempted to draw some kind of link with the wedding ring so prominently displayed on her left hand. Whistler may also have intended to evoke Velasquez's Rokeby Venus (National Gallery, London), where the reflection of the woman's face is similarly at odds with her own idealised image.