Jan van Eyck - Crucifixion and Last Judgement, diptych 1426

Jan van Eyck - Eve, from the right wing of the Ghent Altarpiece 1425-1429 Jan van Eyck - Adoration of the Lamb 1425-1429 Jan van Eyck - The Offerings of Cain and Abel 1425-1429 Jan van Eyck - The Last Judgment, detail 1426 Jan van Eyck - The Ghent Altarpiece, The Virgin Mary 1426-1429 Jan van Eyck - St. Francis Receiving the Stigmata 1427 Jan van Eyck - The Soldiers of Christ 1427-1430
Jan van Eyck - Crucifixion and Last Judgement, diptych 1426

Crucifixion and Last Judgement, diptych 1426
56x19cm oil on wood
Metropolitan Museum of Art, New York City, NY, US

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From Wikipedia, the free encyclopedia:
Members of his workshop completed works based on his designs in the years after his death in the summer of 1441. This was not unusual; the widow of a master would often carry on the business after his death. It is thought that either his wife Margaret or brother Lambert took over after 1441. Such works include the Ince Hall Madonna, Saint Jerome in His Study, a Madonna of Jan Vos (Virgin and Child with St Barbara and Elizabeth) c. 1443, and others. A number of designs were reproduced by second-generation Netherlandish artists of the first rank, including Petrus Christus, who painted a version of the Exeter Madonna.
Members of his workshop also finished incomplete paintings after his death. The upper portions of the right hand panel of the Crucifixion and Last Judgement diptych are generally considered the work of a weaker painter with a less individual style. It is thought that van Eyck died leaving the panel unfinished but with completed underdrawings, and the upper area was finished by workshop members or followers.