Jan van Eyck - St. Jerome in his Study 1432

Jan van Eyck - Isabella Borluut, panel from the Ghent Altarpiece 1432 Jan van Eyck - Left panel from the Ghent Altarpiece 1432 Jan van Eyck - Portrait of a Young Man 1432 Jan van Eyck - St. Jerome in his Study 1432 Jan van Eyck - The Cumaean Sibyl 1432 Jan van Eyck - The Erythraean Sibyl 1432 Jan van Eyck - The Ghent Altar, detail 1432
Jan van Eyck - St. Jerome in his Study 1432

St. Jerome in his Study 1432
12x19cm oil, oak panel
Detroit Institute of Arts, Detroit, MI, US

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From Detroit Institute of Arts:
Delicate and intricate in its execution and rich in its symbolism, this small panel painting attributed to the workshop of Jan van Eyck depicts Saint Jerome, the fourth-century translator of the Bible, reading in his study. According to legend, Jerome extracted a thorn from a lion's paw. The books and other objects seen here relate to the saint's intellectual pursuits and take on symbolic meanings. The hourglass is traditionally equated with the passage of time and human mortality. The glass bottle is undisturbed by the light passing through it just as the virginity of Mary was undisturbed by the Holy Spirit when she conceived Jesus. The jar labeled tyriaca (an antidote for snakebite) surmounted by a pomegranate (a symbol of the resurrection) refers to Christ as the savior of the world. Based on the inscription on the folded letter on the table, it has been suggested that the figure of Saint Jerome is a disguised portrait of Cardinal Niccolò Albergati.