Titian, Tiziano Vecelli - Pesaros Madonna 1519-1526

Tiziano Vecelli - The Feast of the Gods 1516-1529 Tiziano Vecelli - Gian Giacomo Bartolotti da Parma 1518 Tiziano Vecellio - The Annunciation 1519 Tiziano Vecellio - Pesaros Madonna 1519-1526 Titian - Christ and the Woman Taken in Adultery 1520 Titian - Cupid with the Wheel of Fortune 1520 Titian - Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice 1520
Titian, Tiziano Vecelli - Pesaros Madonna 1519-1526

Pesaros Madonna 1519-1526
488x269cm oil on canvas
Santa Maria Gloriosa dei Frari, Venice, Italy
The image is only being used for informational and educational purposes

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From Wikipedia, the free encyclopedia:
When Titian painted this altarpiece, he broke with a centuries-long tradition of placing the devotional figures (the Virgin and Child) in the center of the painting and the painted space. By doing this, he allowed for a greater sense of movement through the painting, presaging the Baroque period's more complicated compositional techniques. The painting is particularly innovative and shows an example of developed High-Renaissance style, as Titian has used diagonal and triangular principles to draw the viewer's eye up to the Madonna and Child, thus creating hierarchy within the work and shows that the Pesaro family are pious.