Titian, Tiziano Vecelli - Assumption of the Virgin 1516-1518

Tiziano Vecelli - Madonna and Child with the Infant John the Baptist 1515-1525 Tiziano Vecellio - Portrait of a Man in a Red Cap 1516 Tiziano Vecellio - The Tribute Money 1516 Titian - Assumption of the Virgin 1516-1518 Titian - Saint Peter 1516-1518 Titian - The Worship of Venus 1516-1518 Titian - Madonna and Child with Sts Dorothy and George 1516-1520
Titian, Tiziano Vecelli - Assumption of the Virgin 1516-1518

Assumption of the Virgin 1516-1518
690x360cm oil on panel
Basilica di Santa Maria Gloriosa dei Frari, Venice
The image is only being used for informational and educational purposes

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From Wikipedia, the free encyclopedia:
The Assumption of the Virgin or Frari Assumption is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–18. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice. It is the largest altarpiece in the city, with the figures well over life-size, necessitated by the large church, with a considerable distance between the altar and the congregation.
It marked a new direction in Titian's style, that reflected his awareness of the developments in High Renaissance painting further south, in Florence and Rome, by artists including Raphael and Michelangelo. The agitated figures of the Apostles marked a break with the usual meditative stillness of saints in Venetian painting, in the tradition of Giovanni Bellini and others.
It was perhaps originally rather shocking for the Venetian public, but soon recognised as a masterpiece that confirmed Titian's position as the leading artist in Venice, and one of the most important in all Italy, a rival to Michelangelo and Raphael.