©Pablo Picasso - Head of a man 1913

Harlequinesque personage 1913 Head 1913 Head of a man 1913 Head of a man 1913 Man with guitar 1913 Student with newspaper 1913 The guitar 1913
Head of a man 1913

Head of a man 1913
65x46cm oil/canvas
Museo Thyssen-Bornemisza, Madrid
The image is only being used for informational and educational purposes

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From Museo Thyssen-Bornemisza, Madrid:
Between 1912 and 1914, the years that synthetic Cubism developed, Picasso painted numerous portraits. The present Head of a Man in the museum collection, which according to Pierre Daix was executed at the end of 1913, combines the influence of the papiers collés with the new turn Cubist language had taken towards formal synthesis. As can be seen, various flattened parts of the person are superimposed with no references to depth, while the varied textures and a few specific recognisable fragments — such as the moustache, ear, eyes, hair, bow tie and fur collar — give a certain impression of reality. Christopher Green points out the similarities to the angular heads Picasso had produced during the months spent in Céret with Eva, and Douglas Cooper suggests that certain elements — such as the moustache, pipe and fur collar — denote of a distinguished personality who even displays the prestigious badge of the Légion d’honneur on his lapel. This may explain why Palau i Fabre calls the work Cabeza de hombre con pipa (El elegante) (Head of a Man with Pipe [The Elegant One]).
Paloma Alarcó