Claude Monet - Waterloo Bridge, Sunlight Effect 1903

Claude Monet - Waterloo Bridge, Fog 1903 Claude Monet - Waterloo Bridge, Grey Weather 1903 Claude Monet - Waterloo Bridge, London 1903 Claude Monet - Waterloo Bridge, Sunlight Effect 1903 Claude Monet - Waterloo Bridge, Sunlight Effect 1903 Claude Monet - Waterloo Bridge, Sunlight Effect 1903 Claude Monet - Waterloo Bridge, Sunlight Effect 1903
Claude Monet - Waterloo Bridge, Sunlight Effect 1903

Waterloo Bridge, Sunlight Effect 1903
65x101cm oil/canvas
Art Institute of Chicago, USA
The image is only being used for informational and educational purposes

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From the Art Institute of Chicago :
If not for the fog, Claude Monet once remarked, “London wouldn’t be a beautiful city. It’s the fog that gives it its magnificent breadth.” While working on his London series, he rose early every day to paint Waterloo Bridge in the morning, moving on to Charing Cross Bridge at midday and in the afternoon. He observed both motifs from his fifth-floor window at the Savoy Hotel. The Art Institute’s two Waterloo Bridge paintings are dated 1900 and 1903, but both were likely begun in 1900 and dated only when Monet felt that they were finished. He worked on all of his London paintings in his studio in Giverny, refusing to send any of them to his dealer until he was satisfied with them as an ensemble.