©Pablo Picasso - Harlequin with a Mirror 1923

Mother and child 1922 Still life 1922 Two women running on the beach. The race 1922 Harlequin with a Mirror 1923 Harlequin with his hands crossed. Jacinto Salvado 1923 Head of a woman 1923 Head of woman 1923
Harlequin with a Mirror 1923

Harlequin with a Mirror 1923
100x81cm oil/canvas
Museo Thyssen-Bornemisza, Madrid
The image is only being used for informational and educational purposes

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From Museo Thyssen-Bornemisza, Madrid:
Initially intended as a self-portrait, Harlequin with a Mirror combines three characters from the circus and the Commedia dell’arte that held a strong fascination for Picasso, and with which he identified: the two-cornered hat is a clear reference to Harlequin, the clothes are those of an acrobat, while Pierrot’s face, turned into a mask, conceals the artist’s identity.
The solid figure of Harlequin, whose body takes up most of the composition, is evidence of a new artistic idiom inspired by the classical approach of the great masters, which Picasso had adopted after his visit to Italy in 1917. Although his experience in Italy prompted a return to classical principles, he eschewed literal interpretation in favour of the free approach acquired through his previous Cubist experience.