Henri Matisse - Still Life after Jan Davidsz de Heem's 'La Desserte' 1915

Woman on a High Stool 1914 Branch of Lillacs 1914 Head white and pink 1914 Still Life after Jan Davidsz de Heem's 'La Desserte' 1915 The Yellow Curtain 1915 Still LIfe with Lemons Which Correspond in Form to a Drawing of a Black Vase on the Wall 1915 Apples 1916
Still Life after Jan Davidsz de Heem's 'La Desserte' 1915

Still Life after Jan Davidsz de Heem's 'La Desserte' 1915
180x220cm oil/canvas
Museum of Modern Art, New York, USA

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From the Museum of Modern Art, New York, USA:
Director, Glenn Lowry: In 1914, at the beginning of World War I, Matisse's home in the Parisian suburb of Issy-les-Moulineaux was requisitioned by the French military. When he was permitted to return the next year, he came across a painting he had made as a student. It was a copy of a still life by the seventeenth-century Dutch painter Jan Davidsz de Heem. It inspired Matisse to make a new version, based on what he called "the methods of modern construction." Influenced by the Cubists, Matisse laid out the painting as a tightly organized grid.