Michelangelo Merisi da Caravaggio 1571 – 1610
From The National Gallery, London: Arrogant, rebellious and a murderer, Caravaggio's short and tempestuous life matched the drama of his works. Characterised by their dramatic, almost theatrical lighting, Caravaggio's paintings were controversial, popular, and hugely influential on succeeding generations of painters all over Europe.
Born Michelangelo Merisi, Caravaggio is the name of the artist's home town in Lombardy in northern Italy. In 1592 at the age of 21 he moved to Rome, Italy's artistic centre and an irresistible magnet for young artists keen to study its classical buildings and famous works of art. The first few years were a struggle. He specialised in still lifes of fruits and flowers, and later, half length figures (as in 'The Boy bitten by a Lizard') which he sold on the street.
In 1595, his luck changed. An eminent Cardinal, Francesco del Monte, recognised the young painter's talent and took Caravaggio into his household. Through the cardinal's circle of acquaintance, Caravaggio received his first public commissions which were so compelling and so innovative that he became a celebrity almost overnight.
Caravaggio's technique was as spontaneous as his temper. He painted straight onto the canvas with minimal preparation. Sometimes he abandoned a disappointing composition and painted new work over the top. Much to the horror of his critics, he used ordinary working people with irregular, rough and characterful faces as models for his saints and showed them in recognisably contemporary surroundings. In many paintings, such as the 'Supper at Emmaus', he makes his paintings appear to be an extension of real space, deliberately making the viewers feel as if they are taking part in the scene.