Caravaggio - Crucifixion of Saint Peter 1601

Caravaggio - Saint John the Baptist 1600 Caravaggio - Conversion on the Way to Damascus 1600-1601 Caravaggio - Bacchus 1600-1610 Caravaggio - Crucifixion of Saint Peter 1601 Caravaggio - Still Life with Flowers and Fruit 1601 Caravaggio - The Death of the Virgin 1601-1603 Caravaggio - Still Life with Fruit 1601-1605
Caravaggio - Crucifixion of Saint Peter 1601

Crucifixion of Saint Peter 1601
230x175cm oil/canvas
Santa Maria del Popolo, Rome, Italy
The image is only being used for informational and educational purposes

<< Previous G a l l e r y Next >>

From Wikipedia, the free encyclopedia:
The painting depicts the martyrdom of St. Peter by crucifixion—Peter asked that his cross be inverted so as not to imitate his God, Jesus Christ, hence he is depicted upside down. The large canvas shows Ancient Romans, their faces shielded, struggling to erect the cross of the elderly but muscular apostle. Peter is heavier than his aged body would suggest, and his lifting requires the efforts of three men, as if the crime they perpetrate already weighs on them.

From independent.co.uk :
Caravaggio had been painting large altarpieces for only two years when he was commissioned to make this one for a church in Rome. The acquaintance of a cardinal had made it possible. Ah, large-scale ecclesiastical patronage. The stuff of any young painter's dreams. And what a shock it is! No wonder that the parishioners hated it so much when it was finally unveiled – and they really did hate it. Its sense of rude urgency is quite extraordinary. You can tell at a glance that it was not worked up from a series of painstaking preparatory drawings. That was the more customary way. That was what Rubens, for example, would have done.